{"id":10185,"date":"2018-11-10T19:52:12","date_gmt":"2018-11-10T17:52:12","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=10185"},"modified":"2018-11-10T20:04:05","modified_gmt":"2018-11-10T18:04:05","slug":"2300-miles-to-work-a-documentary-film-about-tajik-migrants","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2018\/11\/2300-miles-to-work-a-documentary-film-about-tajik-migrants\/","title":{"rendered":"&#8220;2,300 Miles to Work&#8221; A documentary film about tajik migrants"},"content":{"rendered":"<h3><span style=\"color: #800000;\">The New York Times<\/span> \/ <a href=\"https:\/\/www.nytimes.com\/2018\/02\/27\/opinion\/tajikistan-moscow-migrants-remittances.html\">Opinion<\/a><\/h3>\n<header class=\"css-djf9wf e345g291\">\n<h3><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/11\/t\u00e9l\u00e9chargement-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10186 alignleft\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/11\/t\u00e9l\u00e9chargement-1.jpg\" alt=\"\" width=\"338\" height=\"203\" \/><\/a>2,300 Miles to Work<\/h3>\n<h4><span style=\"font-size: 10pt;\">By\u00a0<span class=\"css-1baulvz\">Tim Brown<\/span><\/span><\/h4>\n<\/header>\n<div class=\"css-30n6iy e345g290\">\n<div class=\"css-acwcvw\">\n<div class=\"css-pqwbx7 e1hs04dy0\">\n<div class=\"css-1baulvz\">\n<p class=\"css-1bsd9ka e1x1pwtg1\">An illustrator captures one of the world&#8217;s largest migrations.<\/p>\n<p class=\"css-1bsd9ka e1x1pwtg1\"><span class=\"css-1ly73wi e1afaoz0\" style=\"font-size: 8pt;\">Credit\u00a0<\/span><span style=\"font-size: 8pt;\">George Butler<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"css-1bsd9ka e1x1pwtg1\">As our world grows increasingly fast-paced, it can be hard to find the time to stop, observe and record the changes happening around us. Trying to do just that, I teamed up to make this documentary film with the \u201creportage illustrator\u201d George Butler, who has made it his work to depict some of the most important stories of our time through drawings.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<section class=\"css-1572rug\">\n<div class=\"StoryBodyCompanionColumn css-p1yi70\">\n<div class=\"css-4w7y5l\">\n<p class=\"css-1ebnwsw e2kc3sl0\">Fusing the intimacy of pen and ink with the v\u00e9rit\u00e9 of cinema, we have created a work that tells a story that would be impossible to convey through either medium alone. In the past,\u00a0<a class=\"css-1g7m0tk\" title=\"\" href=\"http:\/\/www.georgebutler.org\/portfolio\/afghanistan\" target=\"_blank\" rel=\"noopener noreferrer\">we worked in places<\/a>\u00a0as remote and volatile as conflict zones in Afghanistan. With this film we wanted to create an intimate depiction of another phenomenon: contemporary migration, as people travel in search of money, opportunity and safety.<\/p>\n<\/div>\n<aside class=\"css-13jtjmc\"><\/aside>\n<\/div>\n<div class=\"css-1wtls4v\">\n<div class=\"medium css-17w5iin\" data-id=\"100000004404763\" data-slug=\"opdoc-email-signup\">We chose to focus on Tajikistan, which after a civil war is now one of the most remittance-dependent countries in the world. As young Tajiks grow up and seek to support themselves and their families in their economically depressed country, they typically encounter the same dilemma \u2014 to remain at home with dwindling work prospects or to head to Russia for possible work. By tapping into George\u2019s style of reportage illustration, I wanted to portray an alternative, intimate style of documenting the difficult decisions faced by the youth there, to help us experience their plight in a different way.<\/div>\n<\/div>\n<div class=\"StoryBodyCompanionColumn css-p1yi70\"><\/div>\n<div class=\"css-190ncxp edz5sly0\"><\/div>\n<div class=\"StoryBodyCompanionColumn css-p1yi70\">\n<div class=\"css-4w7y5l\">\n<p class=\"css-1ebnwsw e2kc3sl0\">The themes of this story extend far beyond Tajikistan. Migration is happening in increasing numbers worldwide, and it involves far more stories than the disastrous ones we see on our front pages. We felt these equally powerful stories were represented well by Abdullo, a young Tajik who was on his fourth journey to Russia \u2014 traveling by rail from Dushanbe to Moscow on a 2,300-mile, four-day journey, undertaken because of the possibility of work. As Abdullo decides to leave once more, his best friend, Oyat, chooses to stay behind.<\/p>\n<p class=\"css-1ebnwsw e2kc3sl0\">For migrants like Abdullo, travel is about the destination, not the journey \u2014 but the journey is arduous. Filming and drawing along this journey reveals subtleties of thought, moments of speculation about what was and what will come, vulnerabilities captured in motion. In slowing down the time of transit, this film captures the relationship between artist and subject, exposing the sensitivity needed to address the vulnerable issues surrounding migration.<\/p>\n<\/div>\n<aside class=\"css-13jtjmc\">\n<div class=\"css-1ed9u5l ehpkjz40\">\n<div id=\"newsletter-module\" class=\"css-iuj46l ehpkjz41\">\n<div class=\"css-tmqdvj ehpkjz42\">\n<div class=\"css-jj6290\"><\/div>\n<div class=\"css-1vpfueb\">\n<div class=\"css-j9ad5u\">\n<div><a href=\"http:\/\/tabrown.co.uk\/\">Tim Brown<\/a>\u00a0is a filmmaker based between London and New York. This video is part of a series by independent filmmakers supported by the\u00a0<a href=\"https:\/\/pulitzercenter.org\/\">Pulitzer Center on Crisis Reporting<\/a>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<\/div>\n<\/section>\n<div class=\"bottom-of-article\">\n<div class=\"css-1gybuqn\">\n<p><a href=\"http:\/\/www.nytimes.com\/video\/landing\/op-docs\/100000001150263\/index.html\">Op-Docs<\/a>\u00a0is a forum for short, opinionated documentaries, produced with creative latitude by independent filmmakers and artists.\u00a0<a href=\"http:\/\/www.nytimes.com\/ref\/opinion\/about-op-docs.html\">Learn more<\/a>\u00a0about Op-Docs and\u00a0<a href=\"http:\/\/www.nytimes.com\/content\/help\/site\/editorial\/op-video\/video.html?ref=opinion\">how to submit<\/a>\u00a0to the series.<\/p>\n<p><em>Follow The New York Times Opinion section on\u00a0<a href=\"https:\/\/www.facebook.com\/nytopinion\">Facebook<\/a>\u00a0and\u00a0<a href=\"http:\/\/twitter.com\/NYTOpinion\">Twitter (@NYTopinion)<\/a>, and sign up for the\u00a0<a href=\"https:\/\/www.nytimes.com\/newsletters\/opdocs\">Op-Docs newsletter<\/a>.<\/em><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>An illustrator captures one of the world&#8217;s largest migrations from Tajikistan to Moscow.<\/p>\n","protected":false},"author":15,"featured_media":10186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[854,8],"tags":[1020],"class_list":["post-10185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review","category-tajikistan","tag-working-migration","country-tajikistan","Tajikistan-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=10185"}],"version-history":[{"count":11,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10185\/revisions"}],"predecessor-version":[{"id":10217,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10185\/revisions\/10217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/10186"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=10185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=10185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=10185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}