{"id":10607,"date":"2019-05-15T21:35:36","date_gmt":"2019-05-15T19:35:36","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=10607"},"modified":"2019-05-15T21:37:07","modified_gmt":"2019-05-15T19:37:07","slug":"director-of-unpatriotic-movie-says-russia-not-ready-for-truth-about-war-in-afghanistab","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2019\/05\/director-of-unpatriotic-movie-says-russia-not-ready-for-truth-about-war-in-afghanistab\/","title":{"rendered":"Director of \u2018Unpatriotic\u2019 Movie Says Russia Not Ready for Truth About War in Afghanistan"},"content":{"rendered":"<p><a href=\"https:\/\/www.themoscowtimes.com\/2019\/05\/08\/director-of-unpatriotic-movie-says-russia-not-ready-for-truth-about-war-a65500\"><span style=\"font-size: 18pt; color: #800000;\">THE MOSCOW TIMES<\/span><\/a><\/p>\n<p><strong>By Pjotr Sauer<\/strong><\/p>\n<p><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10609 size-full\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558.jpg\" alt=\"\" width=\"1360\" height=\"765\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558.jpg 1360w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558-300x169.jpg 300w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558-768x432.jpg 768w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2019\/05\/TASS33017558-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 1360px) 100vw, 1360px\" \/><\/a><\/p>\n<p>Director Pavel Lungin.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"article__block article__block--html article__block--column \">\n<p>Outside the Oktyabr cinema in central Moscow a well-dressed crowd lines the red carpet, waiting to catch a glimpse of acclaimed director Pavel Lungin as he enters the building for the premiere of his latest movie, \u201cBratstvo\u201d (called \u201cLeaving Afghanistan\u201d for distribution abroad).<\/p>\n<p>But inside the auditorium is half empty because the authorities have closed the roads surrounding the city for a rehearsal of the May 9 military parade celebrating the Soviet Union\u2019s victory over Nazi Germany in 1945.<\/p>\n<p>\u201cThey are trying to block us any way they can,\u201d Lungin jokes as he takes the stage.<\/p>\n<\/div>\n<div class=\"article__block article__block--image article__block--column \">\n<figure class=\"article__image\"><img decoding=\"async\" src=\"https:\/\/static.themoscowtimes.com\/image\/1360\/cc\/a52c34ce55189801235ee82547de7d3b3a6e13de.jpg\" \/><figcaption><span style=\"font-size: 8pt;\"><span class=\"article__image__caption\">&#8220;Bratstvo&#8221; depicts the brutality of war.\u00a0 <\/span><span class=\"article__image__credits\">WDSSPR<\/span><\/span><\/figcaption><\/figure>\n<\/div>\n<div class=\"article__block article__block--html article__block--column \">\n<p>\u201cBratstvo\u201d (\u201cbrotherhood\u201d), based on the memoirs of Afghan war veteran turned FSB spy chief Nikolai Kovalyov, tells the story of the Soviet withdrawal from Afghanistan in 1989. Its realistic portrayal of the last days of the conflict sparked heated discussion after politicians and war veterans slammed its depiction of Red Army soldiers as unpatriotic. Scenes showing soldiers looting and fighting with each other have been particularly controversial.<\/p>\n<p>The campaign against the film has been spearheaded by Igor Morozov, an Afghan veteran and deputy chairman of the Federation Council\u2019s Committee on Science, Education and Culture, who has labeled the movie \u201ca harmful film that twists the history of the Afghan war.\u201d<\/p>\n<p>Morozov is supported by \u201cBattle Brotherhood,\u201d an organization for veterans which has called for the movie to be banned.<\/p>\n<p>Lungin rejects the criticism.<\/p>\n<p>\u201cThis is an anti-war movie, not an anti-Russia movie. My main aim was to show how good guys are sent to fight ugly, pointless wars,\u201d he told The Moscow Times.<\/p>\n<p>Lungin added that it is counter-productive to attempt to rewrite the history of the Afghan war.<\/p>\n<p>\u201cI think our society needs to start opening the wounds of war&#8230;whether it\u2019s Afghanistan or Chechnya, as the backlash from this movie shows we\u2019re afraid of talking about the truth that Russia wasn\u2019t always the good guy.\u201d<\/p>\n<div class=\"article__block article__block--html article__block--column \">\n<p>Feb. 15, 2019, marked the 30th anniversary of the Soviet withdrawal of troops from Afghanistan. The nine-year war claimed the lives of more than a million Afghan civilians and over 14,000 Soviet troops.<\/p>\n<p>At the time, Communist Party Secretary General Mikhail Gorbachev&#8217;s decision to withdraw the Soviet military from the country was hailed as a long-overdue end to a bloody conflict and the decision to invade was condemned as a mistake by the Congress of People&#8217;s Deputies of the Soviet Union. In recent years, however, some Russian politicians have sought to reframe the war as a patriotic success.<\/p>\n<p>Movie critic Andrei Arkhangelsky, who called Lungin\u2019s portrayal of war \u201cthe most honest\u201d he has seen in Russian cinema in the last twenty years, said it is this backdrop that has led to the current controversy.<\/p>\n<p>\u201cAt a time when the state is trying to oversimplify who the \u2018enemy\u2019 is and change the way we understand our history, this movie raises important questions of what patriotism really means. It runs against the black-and-white thinking cultivated in society,\u201d he said.<\/p>\n<p>Some Afghan veterans have also come to the defense of Lungin.<\/p>\n<p>\u201cMorozov does not represent us or other veterans I talked to,\u201d said Valery Shiryayev, a decorated military translator who served in Afghanistan.<\/p>\n<p>Yesenia Kovalyova, the daughter of Kovalyov, the veteran on whose memoirs the movie is based, said the film\u00a0\u201cwas exactly how my father would have wanted it.\u201d Kovalyov died less than two months before the premiere.<\/p>\n<\/div>\n<div class=\"article__block article__block--article article__block--column \">\n<aside class=\"article__related-article\">Lungin had planned to release the film on May 9, or Victory Day, but conservative Culture Minister Vladimir Medinsky postponed it to May 10, to prevent \u201csocial tensions.\u201d<\/aside>\n<\/div>\n<div class=\"article__block article__block--html article__block--column \">\n<p>\u00a0Victory Day, has taken on increasing importance in recent years and is accompanied by a state-organized display of patriotism.<\/p>\n<p>\u201cFor the authorities, the May 9 celebrations are extremely important and meant to bridge the gap between the sacred victory over Germany and the current leadership,\u201d said political analyst Andrei Kolesnikov.<\/p>\n<p>Cultural commentator Yury Saprykin believes Medinsky was trying to prevent any potential scandal that the movie could trigger.<\/p>\n<p>\u201cIn the current climate, a relatively innocent movie can cause a scandal,\u201d Saprykin said.<\/p>\n<p>Despite the furor surrounding \u201cBratstvo,\u201d on the night of the premiere the members of\u00a0the Russian political and cultural elite who had managed to make it to the cinema gave the movie a standing ovation.<\/p>\n<p>\u201cWe should remember Lungin is very much part of the establishment,\u201d Saprykin said. \u201cHe isn\u2019t some sort of marginal opposition director.&#8221;<\/p>\n<p>In fact, Lungin is one of Russia\u2019s most decorated directors, whose first film, \u201cTaxi Blues,\u201d won the award for best director at the 1990 Cannes Film Festival. He has directed a number of award-winning films since, including \u201cLuna Park\u201d and \u201cTsar.\u201d He was also one of a group of artists who\u00a0signed a letter in support of Russian President Vladimir Putin after Russia&#8217;s 2014 annexation of Crimea.<\/p>\n<p>That Lungin came under fire in the first place, speaks volumes about the current climate, said movie critic\u00a0Arkhangelsky.<\/p>\n<p>\u201cWe haven\u2019t reached Soviet-style censorship, but fringe conservative voices feel empowered and are getting a platform trying to get support from the top.\u201d<\/p>\n<p>Veteran\u00a0Shiryaev\u00a0agrees, saying some of his former war comrades are hoping to \u201cscore cheap political points.\u201d<\/p>\n<p>But perhaps the sober depiction of war in \u201cBratstvo\u201d will be welcomed by those Russians who are growing weary of years of tub-thumping militarism.<\/p>\n<p>A recent poll\u00a0<a title=\"showed\" href=\"http:\/\/www.levada.ru\/tag\/den-pobedy\/\">showed<\/a>\u00a0that Russian support for large-scale military parades decreased in 2019, while a separate poll indicated that the share of Russians supporting Putin\u2019s military intervention in Syria has\u00a0<a title=\"fallen\" href=\"https:\/\/www.themoscowtimes.com\/2019\/05\/06\/fewer-than-half-of-russians-support-syria-campaign-poll-says-a65494\">fallen<\/a>\u00a0below 50 percent since August 2017.<\/p>\n<p>For now, Lungin is happy the public will get to see his work. The director believes his movie is timely and sees parallels between the mood among the elites at the end of the Soviet Union and today\u2019s political climate, which has seen a five-year conflict in eastern Ukraine between government forces and Russia-backed separatists.<\/p>\n<p>\u201cIn Afghanistan, a part of the Soviet leadership was looking for a way out. They thought a war would fix things back home. I think we ought to really learn from the past that war is not the solution to our domestic problems,\u201d he said.<\/p>\n<p>READ <a href=\"https:\/\/www.themoscowtimes.com\/2019\/05\/08\/director-of-unpatriotic-movie-says-russia-not-ready-for-truth-about-war-a65500\">MORE<\/a>.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As the country prepares for its annual Victory Day parade, a movie on the Soviet war in Afghanistan is raising uncomfortable questions.<\/p>\n","protected":false},"author":15,"featured_media":10609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[846,854,88,1,48],"tags":[1079,1078,1080],"class_list":["post-10607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-gender","category-film-review","category-slider","category-uncategorized","category-war-and-peace","tag-afghan-war","tag-russian-cinema","tag-soviet-soldiers","country-afghanistan","Documents-statements-multimedia"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=10607"}],"version-history":[{"count":3,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10607\/revisions"}],"predecessor-version":[{"id":10611,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/10607\/revisions\/10611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/10609"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=10607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=10607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=10607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}