{"id":11267,"date":"2021-05-17T17:14:31","date_gmt":"2021-05-17T15:14:31","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=11267"},"modified":"2021-05-17T18:58:33","modified_gmt":"2021-05-17T16:58:33","slug":"studio-b-unscripted-with-elif-shafak-and-wole-soyinka","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2021\/05\/studio-b-unscripted-with-elif-shafak-and-wole-soyinka\/","title":{"rendered":"Studio B, Unscripted: With Elif Shafak and Wole Soyinka"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-11267-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2021\/05\/main-1.mp4?_=1\" \/><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2021\/05\/main-1.mp4\">https:\/\/openasia.org\/en\/wp-content\/uploads\/2021\/05\/main-1.mp4<\/a><\/video><\/div>\n<header class=\"article-header\">\n<p class=\"article__subhead css-aq1qu-VideoPage\" style=\"text-align: center;\"><strong>Two writers discuss the rewriting of history, culture wars, multiple identities and the storyteller\u2019s duty to speak up.<\/strong><\/p>\n<\/header>\n<div class=\"wysiwyg wysiwyg--all-content css-az20b6\">\n<p>In this episode of\u00a0<em>Studio B: Unscripted<\/em>, renowned novelist and academic Elif Shafak sits down with award-winning playwright and essayist Wole Soyinka to talk nationalism, safe spaces, and the role of storytellers in the modern age.<\/p>\n<p>Elif Shafak is an award-winning British-Turkish novelist and the most widely read female author in\u00a0<a href=\"https:\/\/www.aljazeera.com\/topics\/country\/turkey.html\">Turkey<\/a>. Her latest book, 10 Minutes 38 Seconds in this Strange World was shortlisted for the 2019 Booker Prize. Shafak is also a celebrated public speaker and activist, championing\u00a0<a href=\"https:\/\/www.aljazeera.com\/topics\/issues\/women-rights.html\">women\u2019s rights<\/a>, minority rights and freedom of expression.<\/p>\n<\/div>\n<p>Wole Soyinka was the first black African to win a Nobel Prize in Literature in 1986 and has a long history of fighting for social justice and\u00a0<a href=\"https:\/\/www.aljazeera.com\/topics\/categories\/human_rights.html\">human rights<\/a>\u00a0both within his country,\u00a0<a href=\"https:\/\/www.aljazeera.com\/topics\/country\/nigeria.html\">Nigeria<\/a>, and among the global African diaspora.<\/p>\n<p>He famously described the primary focus of his work to be \u201cthe oppressive boot, and the irrelevance of the colour of the foot that wears it\u201d.<\/p>\n<p>With their wealth of knowledge and experience, and with an aim of bridging differences, Shafak and Soyinka dissect many of the biggest issues society faces today. From the challenges of resistance and speaking out, to having multiple identities and feeling like an outsider, they leave no stone unturned in this warm, frank, and unguarded conversation.<\/p>\n<p style=\"text-align: center;\">_<\/p>\n<p style=\"text-align: center;\"><em>Recorded at Al Jazeera\u2019s London Broadcast Centre in The Shard with a view of a global city as a backdrop, Studio B: Unscripted is a debate show which brings together two people with different life experiences to find common ground and tackle some of the key issues of our time.\u00a0<\/em><\/p>\n<p style=\"text-align: center;\"><em>With no mediation by a presenter, what ensues are in-depth discussions and meetings of minds, exploring for example the intersections of art and politics, climate change and architecture, colonialism and identity, ethics and power. The engagement of an informed audience ensures fresh perspectives and pertinent questions.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Two writers discuss the rewriting of history, culture wars, multiple identities and the storyteller\u2019s duty to speak up. In this episode of\u00a0Studio B: Unscripted, renowned novelist and academic Elif Shafak sits down with award-winning [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":11271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,20,90,5,85,11,88,1,1132,10],"tags":[164,146,102],"class_list":["post-11267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-citizens-and-civil-society","category-culture-and-literature","category-editor-selection","category-geography","category-human-rights","category-issues","category-slider","category-uncategorized","category-war-and-imperialism","category-world","tag-freedom-of-expression","tag-violence-against-women","tag-womens-rights-2","country-world","Documents-statements-multimedia"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/11267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=11267"}],"version-history":[{"count":4,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/11267\/revisions"}],"predecessor-version":[{"id":11274,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/11267\/revisions\/11274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/11271"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=11267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=11267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=11267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}