{"id":7021,"date":"2017-02-07T11:29:29","date_gmt":"2017-02-07T09:29:29","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=7021"},"modified":"2017-02-07T15:28:58","modified_gmt":"2017-02-07T13:28:58","slug":"2016-int-womens-film-festival-award-best-documentary-im-a-happy-actress-afghanistan","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2017\/02\/2016-int-womens-film-festival-award-best-documentary-im-a-happy-actress-afghanistan\/","title":{"rendered":"2016 Int. Women\u2019s Film Festival Award: Best documentary “I\u2019m a happy actress”\/ Afghanistan"},"content":{"rendered":"

During the closing ceremony of \u201cthe 4th International Women\u2019s Film Festival \u2013 Herat\u201d held in Kabul, Afghanistan on 22 Oct. 2016 the winners of this edition of the festival were announced.
\nThe Documentary “I\u2019m a happy actress”directed by Samere Rezaie from Afghanistan was awarded as the Best short fiction \u00a0by the international jury.<\/p>\n

\"\"<\/a><\/p>\n

I\u2019m a happy actress<\/strong><\/span>
\nDirector: Samere Rezaie<\/strong>, Afghan
\nGenre: Documentary
\nDate & Country of Production: 2015, Iran
\nLanguage: Dari
\nDuration: 50 minutes
\nSynopsis: Two young Afghan migrant girls in Iran dream of acting. They attempt to achieve their goal, but there are problems rooted in migration.<\/p>\n

\"\"<\/a><\/span><\/b><\/span><\/p>\n

Director\u2019s Biography and Filmography<\/span><\/b><\/p>\n

Samere Rezaie<\/b>, born in Tehran in 1984, is a BA graduate of acting and has MA in Cinema from Tehran University. She acted in plays and TV series, a feature film (City of Angels) in Iran (2016-2001) and in the play Oedipus, directed by Fabrice Nicot in Paris Theatre Auditorium. She also established an Acting Workshop for Afghans in Iran in 2012, where she taught. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

“I\u2019m a happy actress” from Afghanistan was awarded as the Best short fiction, directed by Samere Rezaie by the international jury.<\/p>\n","protected":false},"author":2,"featured_media":7022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,5,66,11,88,17,10],"tags":[],"class_list":["post-7021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-afghanistan","category-geography","category-international-womens-film-festival","category-issues","category-slider","category-women","category-world","country-afghanistan","country-world"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=7021"}],"version-history":[{"count":5,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7021\/revisions"}],"predecessor-version":[{"id":7025,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7021\/revisions\/7025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/7022"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=7021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=7021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=7021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}