{"id":7028,"date":"2017-02-07T11:46:55","date_gmt":"2017-02-07T09:46:55","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=7028"},"modified":"2017-02-07T15:27:59","modified_gmt":"2017-02-07T13:27:59","slug":"2016-int-womens-film-festival-award-best-feature-the-sisiran","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2017\/02\/2016-int-womens-film-festival-award-best-feature-the-sisiran\/","title":{"rendered":"2016 Int. Women\u2019s Film Festival Award: Best feature \u201cThe Sis\u201d\/Iran"},"content":{"rendered":"<p>During the closing ceremony of \u201cthe 4th International Women\u2019s Film Festival \u2013 Herat\u201d held in Kabul, Afghanistan on 22 Oct. 2016 the winners of this edition of the festival were announced.<br \/>\nTheFeature \u201cThe Sis\u201d directed by Marjan Ashrafizadeh\u00a0from Iran was awarded as the Best feature, \u00a0by the international jury.<\/p>\n<p><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/thesis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7029\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/thesis-300x220.jpg\" alt=\"\" width=\"300\" height=\"220\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/thesis-300x220.jpg 300w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/thesis.jpg 618w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div class=\"page\" title=\"Page 47\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><span style=\"color: #ff0000;\"><strong>The Sis<\/strong><\/span><br \/>\n\u0627\u0653\u0628\u062c\u06cc :Original Title<br \/>\nDirector: <strong>Marjan Ashrafizadeh<\/strong><br \/>\nGenre: Feature<br \/>\nDate &amp; Country of Production: Iran, 2016<br \/>\nLanguage: Farsi with English subtitles<br \/>\nDuration: 95 minutes<br \/>\nProducer: Mohammad Hossein Ghasemi<br \/>\nSynopsis: Tala and Ati (Sis) are a mother and daughter who have lived together for many years, almost 50 years, as long as the life of Sis. This situation, however, does not last long, and the days of separation arrive. The separation happens when Sis depends heavily on her mother due to her special conditions. Tala is trying to provide a secure furure for Ati in her remaining time, a future without her presence.<\/p>\n<\/div>\n<div class=\"page\" title=\"Page 47\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong><span style=\"color: #ff0000;\"><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/Marjan.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7030 alignleft\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/Marjan.jpg\" alt=\"\" width=\"140\" height=\"182\" \/><\/a>Director\u2019s Biography and Filmography<\/span><\/strong><br \/>\nMarjan Ashrafizadeh, born in Tehran in 1981, has a B.A degree in Dramatic Literature<br \/>\nand also Film Directing from the Faculty of Cinema &amp; Theatre. As a member of Iranian Young Cinema Society, she made more than 20 documentaries and short fiction films including: Deep Blue, Seventh Season and Silence After whisper (short films), Magician and Sea Bird (documentaries). Her TV films include Wet Letters, Orange Blossoms, and 3 Days &amp; 2 Nights. The Sis (Abji) is her debut feature. She is the founder of a workshop for scriptwriting.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe Sis\u201d from Iran was awarded as the best feature, directed by Marjan Ashrafizadeh by the international jury.<\/p>\n","protected":false},"author":2,"featured_media":7029,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,5,66,7,11,88,17,10],"tags":[],"class_list":["post-7028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-afghanistan","category-geography","category-international-womens-film-festival","category-iran","category-issues","category-slider","category-women","category-world","country-afghanistan","country-iran","country-world"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=7028"}],"version-history":[{"count":3,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7028\/revisions"}],"predecessor-version":[{"id":7097,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7028\/revisions\/7097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/7029"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=7028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=7028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=7028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}