{"id":7050,"date":"2017-02-07T12:44:24","date_gmt":"2017-02-07T10:44:24","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=7050"},"modified":"2017-02-07T15:24:37","modified_gmt":"2017-02-07T13:24:37","slug":"2016-int-womens-film-festival-award-best-documentary-maker-shirin-barghnavard-mohammad-reza-jahanpanahiran","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2017\/02\/2016-int-womens-film-festival-award-best-documentary-maker-shirin-barghnavard-mohammad-reza-jahanpanahiran\/","title":{"rendered":"2016 Int. Women\u2019s Film Festival Award: Best documentary maker Shirin Barghnavard &#038; Mohammad Reza Jahanpanah\/Iran"},"content":{"rendered":"<p>During the closing ceremony of \u201cthe 4th International Women\u2019s Film Festival \u2013 Herat\u201d held in Kabul, Afghanistan on 22 Oct. 2016 the winners of this edition of the festival were announced.<br \/>\nShirin Barghnavard &amp; Mohammad Reza Jahanpanah from Iran\u00a0were awarded as the Best documentary maker for the film \u201cScenes from a Divorce\u201d by the international jury.<\/p>\n<div class=\"page\" title=\"Page 47\">\n<div class=\"layoutArea\"><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/directors.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7051\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/directors-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/directors-300x199.jpg 300w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/directors-240x159.jpg 240w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/directors.jpg 308w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<p><span style=\"color: #ff0000;\"><b>Scenes from a Divorce<br \/>\n<\/b><\/span>Directors: Shirin Barghnavard &amp; Mohammad Reza Jahanpanah<br \/>\nDate &amp; Country of Production: 2016, Iran<br \/>\nLanguage: Persian with English subtitles<\/p>\n<p><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/divorce.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7052\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/divorce-300x172.jpg\" alt=\"\" width=\"300\" height=\"172\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/divorce-300x172.jpg 300w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/02\/divorce.jpg 675w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><b>Synopsis:<\/b> After eight years of marriage, Maryam and Bashoo decide to get a divorce. But to keep their families from finding out, they continue to live together. In a society as traditional and as religious as Iran, living together as an unmarried couple is not only illegal but also seen by many as a sin. This is an intimate year-long look at the private life of a modern Iranian couple, which explores the reasons behind Maryam\u2019s and Bashoo\u2019s decision to end their marriage and continue living together.<\/p>\n<div class=\"layoutArea\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Shirin Barghnavard &#038; Mohammad Reza Jahanpanah from Iran were awarded as the best documentary maker for the film \u201cScenes from a Divorce\u201d by the international jury.<\/p>\n","protected":false},"author":2,"featured_media":7052,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,5,66,7,11,88,17,10],"tags":[],"class_list":["post-7050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-afghanistan","category-geography","category-international-womens-film-festival","category-iran","category-issues","category-slider","category-women","category-world","country-afghanistan","country-iran","country-world"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=7050"}],"version-history":[{"count":3,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7050\/revisions"}],"predecessor-version":[{"id":7054,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/7050\/revisions\/7054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/7052"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=7050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=7050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=7050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}