{"id":8267,"date":"2017-08-11T17:04:34","date_gmt":"2017-08-11T15:04:34","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=8267"},"modified":"2017-08-11T17:17:01","modified_gmt":"2017-08-11T15:17:01","slug":"lexposition-iran-annee-38-jusquau-24-septembre-2017-aux-rencontres-darles-france","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2017\/08\/lexposition-iran-annee-38-jusquau-24-septembre-2017-aux-rencontres-darles-france\/","title":{"rendered":"Exposition &#8220;IRAN: YEAR 38&#8243;:  66 IRANIAN PHOTOGRAPHERS&#8221; at Rencontres d\u2019Arles -France"},"content":{"rendered":"<header><a href=\"https:\/\/www.rencontres-arles.com\/en\/expositions\/view\/172\/iran-year-38\">Arles 2017<\/a><\/p>\n<h1>IRAN: YEAR 38<\/h1>\n<h3>66 IRANIAN PHOTOGRAPHERS<\/h3>\n<div id=\"attachment_8272\" style=\"width: 502px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/fghj.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8272\" class=\"wp-image-8272 size-full\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/fghj.jpg\" alt=\"\" width=\"492\" height=\"673\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/fghj.jpg 492w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/fghj-219x300.jpg 219w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/a><p id=\"caption-attachment-8272\" class=\"wp-caption-text\">Shadi Ghadirian, Qajar, 1998<\/p><\/div>\n<\/header>\n<div><\/div>\n<div class=\"description\">\n<p>Meead Akhi, Azadeh Akhlaghi, Ali &amp; Ramyar, Saba Alizadeh, Hoda Amin, Hawar Amini, Abbas Attar, Fatemeh Baigmoradi, Dadbeh Bassir, Erfan Dadkhah, Solmaz Daryani, Gohar Dashti, Alireza Fani, Hamed Farhangi, Arash Fayez, Shadi Ghadirian, Jassem Ghazbanpour, Azin Haghighi, Ghazaleh Hedayat, Bahman Jalali, Rana Javadi, Poolad Javaher Haghighi, Alborz Kazemi, Babak Kazemi, Kaveh Kazemi, Mehregan Kazemi, Arash Khamooshi, Danial Khodaie, Abbas Kiarostami, Gelareh Kiazand, Abbas Kowsari, Yalda Moaiery, Sasan Moayyedi, Mehran Mohajer, Mehdi Monem, Amir Mousavi, Sahar Mokhtari, Tahmineh Monzavi, Mehran Naghshbandi, Azin Nafarhaghighi, Mehrdad Naraghi, Morteza Niknahad &amp; Behnam Zakeri, Ebrahim Noroozi, Mohsen Rastani, Ghazaleh Rezaei, Behnam Sadighi, Majid Saeedi, Omid Salehi, Hasan Sarbakhshian, Jalal Sepehr, Bahram Shabani, Noushin Shafiei, Hashem Shakeri, Jalal Shams Azaran, Sina Shiri, Arya Tabandehpoor, Nazanin Tabatabaee Yazdi, Maryam Takhtkeshian, Newsha Tavakolian, Sadegh Tirafkan, Mehdi Vosoughnia, Mohsen Yazdipour, Hasti Zahiri, Maryam Zandi<\/p>\n<p>It is not a coincidence that Iran has so many photographers. When today\u2019s Iranians want to express themselves, they use the tools given to them by history. The modern version of poetry is photography, of course. Images, photojournalism, documentary or art are visual poetry, if you will. With this exhibition, we want to introduce those who are shaping the image of Iran today. A very diverse mix of photographers, artists and filmmakers portraying a country still caught up in revolution and war, but also fast-changing beyond recognition. Iran is both a young and an old country at the same time. Thousands of years of history have come before the 1979 Islamic revolution. We start counting again from that year. Iran: year 38, is to be an exhibition celebrating the culture of visual poetry embraced by Iranians.<br \/>\n<em>Anahita Ghabaian et Newsha Tavakolian<\/em><\/p>\n<\/div>\n<div class=\"infos clearfix\">\n<ul class=\"places\">\n<li class=\"place\"><a href=\"https:\/\/www.rencontres-arles.com\/en\/expositions\/map?p[]=15&amp;\"><span class=\"number\"><img decoding=\"async\" src=\"https:\/\/www.rencontres-arles.com\/files\/place_number_thumbnail_41.png\" alt=\"\u00c9glise Sainte-Anne\" \/><\/span>\u00a0\u00c9GLISE SAINTE-ANNE<\/a><\/li>\n<\/ul>\n<div class=\"schedule\">\n<p class=\"days\">3 JULY &#8211; 27 AUGUST<\/p>\n<p class=\"hours\">10H00 &#8211; 19H30<\/p>\n<p class=\"price\">12 EUROS<\/p>\n<p class=\"ticketing\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8268\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/Cggggggggapture.jpg\" alt=\"\" width=\"640\" height=\"397\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/Cggggggggapture.jpg 640w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/Cggggggggapture-300x186.jpg 300w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2017\/08\/Cggggggggapture-174x108.jpg 174w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.arte.tv\/fr\/videos\/075225-023-A\/28-minutes\"><strong>ARTE<\/strong><\/a><\/p>\n<p>Pour cette \u00e9mission sp\u00e9ciale internationale, &#8220;28 Minutes&#8221; re\u00e7oit l\u2019Iranienne Anahita Ghabaian Etehadieh.<\/p>\n<p>Ce soir, nous recevons l\u2019Iranienne Anahita Ghabaian Etehadieh. Anahita Ghabaian est l\u2019une des plus fines connaisseuses de la photographie iranienne contemporaine. Elle est la commissaire de l\u2019exposition &#8220;Iran, ann\u00e9e 38&#8221;, visible jusqu\u2019au 24 septembre 2017 aux Rencontres d\u2019Arles. L&#8217;exposition retrace l&#8217;histoire de la photographie en Iran depuis la R\u00e9volution de 1979 jusqu&#8217;\u00e0 aujourd&#8217;hui.<\/p>\n<p>&nbsp;<\/p>\n<p>Dans son &#8220;Drone&#8221;, Marc-Antoine de Poret nous fait visiter T\u00e9h\u00e9ran depuis les airs.<\/p>\n<h3>REGARDER l&#8217;emission <a href=\"https:\/\/www.arte.tv\/fr\/videos\/075225-023-A\/28-minutes\">ICI<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition &#8220;IRAN: YEAR 38&#8243;:  66 IRANIAN PHOTOGRAPHERS&#8221; at Rencontres d\u2019Arles -France until 24September 2017. The exposition covers the history of photography in Iran since the 1979 revolution till now.<\/p>\n","protected":false},"author":2,"featured_media":8268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,89,7,88],"tags":[],"class_list":["post-8267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-and-literature","category-events","category-iran","category-slider"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/8267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=8267"}],"version-history":[{"count":5,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/8267\/revisions"}],"predecessor-version":[{"id":8270,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/8267\/revisions\/8270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/8268"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=8267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=8267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=8267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}