{"id":9393,"date":"2018-05-01T14:15:19","date_gmt":"2018-05-01T12:15:19","guid":{"rendered":"https:\/\/openasia.org\/en\/?p=9393"},"modified":"2018-05-01T18:34:20","modified_gmt":"2018-05-01T16:34:20","slug":"abbas-attar-who-photographed-irans-revolution-dies-at-74","status":"publish","type":"post","link":"https:\/\/openasia.org\/en\/2018\/05\/abbas-attar-who-photographed-irans-revolution-dies-at-74\/","title":{"rendered":"Abbas Attar, Who Photographed Iran\u2019s Revolution, Dies at 74"},"content":{"rendered":"<header id=\"story-header\" class=\"story-header\">\n<div id=\"story-meta\" class=\"story-meta \">\n<div id=\"story-meta-footer\" class=\"story-meta-footer\">\n<p><a href=\"https:\/\/www.nytimes.com\/2018\/04\/30\/obituaries\/abbas-attar-who-photographed-irans-revolution-dies-at-74.html\">New York Times<\/a><\/p>\n<p class=\"byline-dateline\"><span class=\"byline\"><span class=\"byline-author\" data-byline-name=\"NEIL GENZLINGER\" data-twitter-handle=\"genznyt\"><a title=\"More Articles by NEIL GENZLINGER\" href=\"https:\/\/www.nytimes.com\/by\/neil-genzlinger\">NEIL GENZLINGER<\/a><\/span><\/span><\/p>\n<p><a href=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/05\/abbas-Capture.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-9394\" src=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/05\/abbas-Capture.jpg\" alt=\"\" width=\"406\" height=\"363\" srcset=\"https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/05\/abbas-Capture.jpg 406w, https:\/\/openasia.org\/en\/wp-content\/uploads\/2018\/05\/abbas-Capture-300x268.jpg 300w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><\/a><\/p>\n<div class=\"story-meta-footer-sharetools\" style=\"text-align: center;\">\u00a0<span class=\"caption-text\">The Iranian photographer Abbas. His book \u201cAllah O Akbar: A Journey Through Militant Islam\u201d (1994), recounted his travels through 29 Muslim countries.<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"story-body-supplemental\">\n<div class=\"story-body story-body-1\" style=\"text-align: left;\">\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"239\" data-total-count=\"239\">Abbas Attar, an Iranian-born photographer who documented cataclysmic events throughout the world, including the Iranian revolution, and developed a particular interest in the role of religion in them, died on Wednesday in Paris. He was 74.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"72\" data-total-count=\"311\">His agency, Magnum Photos, announced his death. It did not give a cause.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"466\" data-total-count=\"777\">Abbas, as he referred to himself professionally, was known for dramatic black-and-white photographs delivered with a point of view, especially in his book\u00a0<a title=\"Related photos\" href=\"https:\/\/www.magnumphotos.com\/newsroom\/abbas-iran-diary-1971-2002\/\">\u201cIran Diary 1971-2002\u201d (2002),\u00a0<\/a>a collection of images and text presented as a sort of journal. When the events that resulted in the overthrow of Shah Mohammed Reza Pahlavi in 1979 began, Abbas supported change, but he soon became disillusioned with Ayatollah Ruhollah Khomeini, who took over the government.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"191\" data-total-count=\"968\">\u201cWhen the revolution started, it was democratic,\u201d The Toronto Star quoted him as saying in 2013. \u201cIt was my country, my people and my revolution. Then, slowly, it was being hijacked.\u201d<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"125\" data-total-count=\"1093\">A turning point, he said, was the execution of four generals after a secret trial. He photographed their corpses in a morgue.<\/p>\n<p id=\"story-continues-1\" class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"212\" data-total-count=\"1305\">\u201cSomething that we learned,\u201d he said, \u201cis that the extremists always win. That was my main lesson from the revolution. The extremists were prepared to kill, imprison, torture \u2014 everything. So they won.\u201d<\/p>\n<p>Abbas was born in 1944 in a part of Iran near the Pakistan border. (Little biographical information about him was available.) When he was a boy his family relocated to Algeria; he said that growing up during that country\u2019s war of independence sparked his interest in documenting political events.<\/p>\n<\/div>\n<\/div>\n<div class=\"story-body-supplemental\">\n<div class=\"story-body story-body-2\">\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"328\" data-total-count=\"1931\">He taught himself to use a camera, and among his earliest jobs was working for the International Olympic Committee at the 1968 Summer Games in Mexico. He would return to Mexico in the mid-1980s, taking pictures throughout the country over three years and producing the 1992 book \u201cReturn to Mexico: Journeys Beyond the Mask.\u201d<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"208\" data-total-count=\"2139\">In the 1970s he worked for the French agencies Sipa and Gamma. Early in that decade he was in Africa, covering the aftermath of the Biafran war in Nigeria and other events. He then found himself back in Iran.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"252\" data-total-count=\"2391\">\u201cMy family is from Iran,\u201d\u00a0<a title=\"Article\" href=\"https:\/\/www.vice.com\/en_uk\/article\/4wbvnj\/interview-photographer-abbas-magnum-876\">he told Vice\u00a0<\/a>in 2015, \u201cbut it isn\u2019t as if I felt particularly Iranian back then. But I did feel that things had to change \u2014 you can\u2019t just have some shah making all the important decisions for an entire country.\u201d<\/p>\n<figure id=\"slideshow-100000005872774\" class=\"media slideshow promo embedded layout-large-horizontal\" role=\"group\" data-media-action=\"modal\" aria-label=\"media\"><a href=\"https:\/\/www.nytimes.com\/slideshow\/2018\/04\/30\/obituaries\/abbas-a-lens-on-the-world.html\"><span class=\"visually-hidden\">Slide Show<\/span><\/a><\/p>\n<div class=\"image\">\n<p><img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/images\/2018\/05\/01\/obituaries\/28ABBAS2\/merlin_137378139_d60d749b-5a59-4456-bb66-0b4210657c5d-master675.jpg\" \/><\/p>\n<div class=\"media-action-overlay\">\n<p>&nbsp;<\/p>\n<div class=\"media-meta\">\n<h5 class=\"kicker\"><span class=\"kicker-label\">SLIDE SHOW<\/span><span class=\"pipe\">|<\/span><span class=\"counter\">9 Photos<\/span><\/h5>\n<h4 class=\"headline\">Abbas: A Lens on the World\/ CreditAll photographs by Abbas\/Magnum Photos<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/figure>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"174\" data-total-count=\"2565\">As the situation became more unstable and it became clear to him that the revolutionaries were no better than the regime they were replacing, he faced pressures from friends.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"294\" data-total-count=\"2859\">\u201cThey urged me not to show the revolution\u2019s negative side to the world,\u201d he said. \u201cThe violence was supposed to come from the shah, not the protesters. I told them that it was my revolution as well, but I still needed to honor my duty as a journalist \u2014 or a historian, if you will.\u201d<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"184\" data-total-count=\"3043\">He left the country in 1980 and did not return for 17 years. The revolution, though, had instilled in him an interest in what people throughout the world were doing in the name of God.<\/p>\n<p id=\"story-continues-4\" class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"230\" data-total-count=\"3273\">\u201cIt was obvious after two years that the wave of Islamism was not going to stop at the borders of Iran,\u201d\u00a0<a title=\"Video\" href=\"https:\/\/www.youtube.com\/watch?v=yyDnZdAV4Nw\">he said in a video interview<\/a>\u00a0with The British Journal of Photography in 2009. \u201cIt was going much beyond the borders.\u201d<\/p>\n<figure class=\"media video youtube embedded layout-large-horizontal\"><iframe loading=\"lazy\" class=\"video-bind\" src=\"https:\/\/youtube.com\/embed\/yyDnZdAV4Nw?wmode=transparent\" width=\"420\" height=\"315\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><figcaption class=\"caption\"><span class=\"caption-text\">Visa pour l&#8217;Image &#8211; Interview with Magnum photographer Abbas &#8211; Part 1\/2<\/span>\u00a0<span class=\"credit\">Video by Olivier Laurent<\/span><\/figcaption><figcaption><strong>SEE PART 2 here<\/strong>:\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=FUYnGAJThSQ\">https:\/\/www.youtube.com\/watch?v=FUYnGAJThSQ<\/a><\/figcaption><\/figure>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"180\" data-total-count=\"3453\">He began by examining that phenomenon, resulting in the book \u201cAllah O Akbar: A Journey Through Militant Islam\u201d (1994), which recounted his travels through 29 Islamic countries.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"275\" data-total-count=\"3728\">\u201cWhen you\u2019ve started with God you might as well stay with him,\u201d he said, explaining why he went on to look at Christianity, paganism, Buddhism and more. It was an examination not of personal faith, he said, but of how faith can be deployed and twisted in other spheres.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"205\" data-total-count=\"3933\">\u201cWhat I\u2019m interested in is the political, social, economic, even psychological aspects of religion,\u201d he said, adding, \u201cMore and more, nations are defining their identities referring to religion.\u201d<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"55\" data-total-count=\"3988\">Information on survivors was not immediately available.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"127\" data-total-count=\"4115\">If his work often put him in the middle of trouble spots, Abbas was not necessarily interested in images of blood and weaponry.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"452\" data-total-count=\"4567\">\u201cMost photographers, when they say they\u2019re war photographers, they\u2019re not really war photographers; they\u2019re battle photographers,\u201d he said in the video interview. \u201cWar does not limit itself to boom-boom, to the battle itself. Wars are very, very complex phenomenons, because they have a source, and it takes a while to come up, then it happens, and there are consequences. I\u2019m more interested in the why and the afterwards of the wars.\u201d<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"82\" data-total-count=\"4649\">He played down the part of his work that involved putting himself in harm\u2019s way.<\/p>\n<p class=\"story-body-text story-content\" style=\"text-align: left;\" data-para-count=\"212\" data-total-count=\"4861\">\u201cThey say \u2018courage\u2019 \u2014 O.K., you have to be courageous,\u201d he said. \u201cBut for me courage is a lack of imagination. You cannot imagine that it\u2019s going to happen to you, therefore you go to the battle.\u201d<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Abbas Attar, an Iranian-born photographer with Magnum who documented cataclysmic events throughout the world, including the Iranian revolution, and developed a particular interest in the role of religion in them, died in Paris. He was 74<\/p>\n","protected":false},"author":2,"featured_media":9394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20,89,85,122],"tags":[896,898,897],"class_list":["post-9393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-and-literature","category-events","category-human-rights","category-politics","tag-abbas","tag-magnum","tag-photographer","country-iran","country-world"],"acf":[],"_links":{"self":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/9393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/comments?post=9393"}],"version-history":[{"count":4,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/9393\/revisions"}],"predecessor-version":[{"id":9401,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/posts\/9393\/revisions\/9401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media\/9394"}],"wp:attachment":[{"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/media?parent=9393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/categories?post=9393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/openasia.org\/en\/wp-json\/wp\/v2\/tags?post=9393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}